"To strive, to seek, to find, and not to yield."

Showing posts with label Stephen Burt. Show all posts
Showing posts with label Stephen Burt. Show all posts

Saturday, May 30, 2009

Coteries Categories Individuals

See prior Stephen Burt posts: kh00027 and kh00028. As strongly as I am against literary packaging, which arises from the human need to label things, I cannot figure out why I consistently allow the ruminations of others to draw me into that habit. Yes it is a memory aid, and yes in the sciences it is essential, but it tends to limit the scope of what a given maker actually makes. Scientifically, I am in the category of humans who are less than five feet tall. In the realm of poem-making are those who prefer to be members of a coterie and/or to be identified as being a maker whose works are examples of a specific categorizable nature. I find nothing wrong with that. But yesterday Mark Wallace led me to a post by none other than that erudite independent John Latta, a post I had already read or at least glanced through. I read it, and realized that my willingness to let Burt or whomever have hir say without my trying to be confrontational lessens the worth of what I say. So this is how on Wednesday, May 27, 2009 Latta wins. kh00029

Friday, May 29, 2009

Regarding Burt's The New Thing

essay in The Boston Review, which I read today via a link at Silliman's Blog, several thoughts: Stephen Burt did a lot of research. - His essay is therefore historically valuable. - Establishing and supporting the existence of a poetic trend requires a node of activity dedicated to making poems of a particular kind. That, as Burt recognizes, poems of the kind he discusses have been made for years do help to support his position; they are not sufficient to establish a trend. - Anthologies, presses, journals, blogs, poet-to-poet communications are the means by which trends are established. - I and many, many others are among those who for years have written poems of The New Thing kind; but it wasn't until recently that numerous poets began writing entire books of such poems. * Stephen Burt notes that the two best books are Mark Levine's Debt and Rae Armantrout's Next Life. kh00028

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